The 24 Best Things to Do in Portland This Week: Jan 14-17



OH YES, NAO! OH NO, Ross and Carrie! OH HEY, The Blazers are Again Residence! OH DAMN, It’s One Busy Week!

by Mercury Issues to Do Employees


Leap to: Monday | Tuesday | Wednesday | Thursday


Monday, Jan 14

NAO
Nao’s newest studio album, Saturn—a comply with-as much as her 2016 debut For All We Know—solidifies the British soul singer’s model of funk-infused, area-themed neo-soul. And though I’m not wetting my pants over it as much as her final report, Saturn continues to be exceedingly groovy and extremely gratifying. It doesn’t matter what sort of music she’s singing, Nao’s unusual voice is her secret weapon. The final time she got here to Portland’s Marvel Ballroom she sounded simply as effervescent as she does on the report, and if that last bubbly, joyful efficiency was any indicator, her upcoming present will probably be one other to savor. (eight pm, Marvel Ballroom, $30-35, all ages) JENNI MOORE

Thursday, Vein
Over its preliminary 15-yr run, the New Jersey band Thursday advanced from screamo upstarts into glowing publish-hardcore adventurers who eternally altered the DNA of emo. Thursday cut up up in 2011, but now they’re back and enjoying some previous favorites—If that feels like a variety of wanting backward to you, don’t worry: Opening band Vein, a math-y metalcore band from Boston, put out some of the brutal (and greatest) punk albums of 2018, Errorzone. (eight:30 pm, Doug Fir, $32-35) BEN SALMON

Dustin Morrow
Movie professor Dustin Morrow reads from Kathleen Turner on Appearing, his assortment of conversations with the esteemed movie and stage actress overlaying her forty-yr career. (7:30 pm, Powell’s City of Books, free)

Johannes Moser, The Oregon Symphony
This live performance finds two pleasing, flavorful overtures bookending two more strident, confrontational items, indicating the Oregon Symphony’s dedication to showcasing trendy composers whereas additionally maintaining patrons proud of the established classics. Rossini’s intoxicating overture for Tancredi—certainly one of his loveliest operas—is an example of a pop smash circa 200 years ago, taking lifeless goal at your mind’s pleasure zone. Next, Zimmermann’s raucous ballet rating for Music for the Suppers of King Ubu “samples” well-known classical works like Beethoven’s “Pastoral” Symphony, Bach’s Brandenberg Concerto No. 1, Wagner’s “Journey of the Valkyries,” and others, to disturbing and disorienting impact. Shostakovich’s Cello Concerto No. 1 is petulant, morose, and delightful, requiring utmost concentration and physicality from its soloist—on this case, guest cellist Johannes Moser. However you’ll be despatched into the night time with Rimsky-Korsakov’s Russian Easter Pageant Overture ringing in your ears, a gorgeously orchestrated piece that goes from doleful to exuberant over the course of 15 crackerjack minutes. (7:30 pm, Arlene Schnitzer Live performance Hall, $24-one hundred twenty five, all ages) BRIAN HORAY

Dirty Dancing
Jerry Orbach simply needs to take pleasure in a nice, enjoyable trip within the Catskills. But…





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